art

Exposed at the Alliance for the Arts

For those of you in Southwest Florida, please join me this Friday at the Alliance for the Arts' opening reception for the Exposed: Face and Figure invitational exhibition. I am proud to have had three of my fine art nude prints selected to be featured in this exhibition, here's a preview of what I will have on display.

A preview of my prints to be featured in the Exposed: Face and Figure exhibition at the Alliance for the Arts.

A preview of my prints to be featured in the Exposed: Face and Figure exhibition at the Alliance for the Arts.

The reception will take place from 5:00 - 7:30 pm on Friday, September 6, 2013 at the Lee County Alliance for the Arts, 10091 McGregor Blvd., Fort Myers, FL 33919, phone: (239) 939-2787. For a more detailed description of the exhibition, check out this article by local Southwest Florida art commentator Tom Hall.

Nudity is Dangerous, Immoral and Just Plain Wrong

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Giulia in the Tatami Room

I have often believed that the essence of great images begins with simplicity. Of course, that is a personal view, there are photographers who specialize and excel in deeply complex images. Personally, however, the images that stand out in my mind are always the simple ones. If I am tasked with having to understand symbology and meanng in a photograph, then it no longer seems photographic, and that is what I love about photography, that with a single glimpse of a great, simplified image, you can communicate something extraordinary. This is what I aspire to.

The nude figure, is one of the most simple and most used subjects in photography and art, in general. Yet, since returning the the USA in February, it also seems to be dangerous. What is the threat of fine art nude imagery? Why do we cower at the thought of seeing someone nude? Why have we become so ashamed of something so pure and simple? 

I have heard the arguments that we don’t want to harm children, that nudity is associated with porn, that it is immoral, embarrassing, etc., but those arguments seem placed in ignorance. How could a child be harmed by nudity, unless they have been told that it is wrong? Why do we lump artistic nudity with porn, is it because porn contains nudity so therefore all nudity is wrong?

Having lived in Europe for twelve years, it’s interesting to me that people in the USA are so offended by nudity. In the USA, we have more graphic violence in our movies and tv shows, we are inundated daily with sexuality in advertising, we have rampant problems with sexual assault and sex crimes, yet Americans seem to look down on Europeans, at least in part, because they are laid back about sexuality and nudity. Here in the USA, people may stand on high ground, but time and time again, those people who were on the soap boxes denouncing nudity and sex as dangerous are the same people who cheat on their wives, sleep with prostitutes and molest children.

In Europe, nudity is no big deal, sex is something that is fun and to be enjoyed. Of course, no society is perfect, but when it comes to attitudes about nudity and sex, people in Europe are rarely offended by tasteful and artistic representations of the human form. Here in the USA, it’s a completely different story. 

I want to know what you think? Is nudity dangerous, should we protect ourselves from such offensive depictions, or are we simply being over-sensitive?

Leave a comment, here or on my Facebook page. Let me know your thoughts.

A lesson learned from my own workshop, and a message for 'Chris' the Pirate Hater.

The other day I received an email from a former workshop student. The message was in reference to an image I had on my website and the student was asking why I had put my copyright info on his image and used it in my portfolio.

I was a bit surprised because I clearly remember taking the image myself and I would certainly never knowingly take credit for someone else’s image. As soon as I was able, I got on my computer, reviewed the metadata and the date/time stamps of the image and I verified that I had many similar images from the same sequence. The images were taken by my camera as verified by the embedded serial number and camera information.

I reported my findings back to the student, who, naturally, found it difficult to accept that he could have some of my images on his computer. I do not think anything untoward happened, I recalled borrowing a memory card that day and I assume that when I returned the card, it may still have had my images on it.

Honestly, I don’t know for sure, it’s a complete guess how he got them and frankly, it is totally irrelevant to this post. I don’t think he stole my images and I certainly did not steal his, it was just a simple case of mistaken attribution.

Unfortunately, during our back and forth emails trying to sort this out, I received the following email message from another party:

Why would any photographer copy another photographers work and tag it as their own? Just how many stolen photographs do you have in your portfolio?
Chris…

I don’t know ‘Chris’. The contact info he provided was just a fake number and a fake email. Chris, if you are reading this, it’s really easy to make accusations, false accusations in this case, without knowing all the facts. However, in this case, you made a very wrong assumption, and made no attempt to ascertain the facts.

I don’t take such accusations lightly. I have never copied someone’s work and claimed it as my own. It makes my blood boil that some nameless, faceless person may be shredding my good reputation without the facts or truth of the situation.

However, this episode certainly brings to light an important lesson if you are attending a workshop. Be sure you take care to guard and protect your images.

If you borrow a memory card from someone, be sure to format the card before using it and after you are finished with it. Do not let anyone copy your RAW files. If your camera allows you to enter copyright information, be sure it is entered so all of your images are copyrighted upon creation, with your name and any other relevant data. Take all steps necessary to ensure you have your work properly organized and verified. 

In the end, I know these images were mine. It was never really a question for me, I remember many details about that day and this shooting sequence in particular. In fact, I can recall many details about most of my shoots, they are burned into my brain. However, because of some carelessness or sloppy handling of a memory card, I have so far spent several hours trying to collect proof that these were my images. That’s time I could have been doing something much more enjoyable and constructive.

Check out my LABB Magazine feature!

LABB Magazine, is a UK-based art, fashion and photography magazine. Their current issue features a lovely spread of my dance photography images featuring ballet dancer and Cirque du Soleil performer, Giulia Piolanti. You can see a limited preview of their current issue on their website, or if you see it on the stands, be sure to buy, it won’t be there for long. Below is a thumbnail of the first spread of my article, but you’ll really want to buy it so you can see the rest ;-) Many thanks to the LABB team and especially Dave Piper!

Bryon Paul McCartney is featured in Vol. 2 of LABB Magazine